Of all the historic properties visited as a tourist, as opposed to the ones worked in as an actor, Traquair remains a firm favourite. For centuries the home of the Stuart (now Maxwell-Stuart) family it exudes an authentic sense of history while still being accessible to the world. It draws  you in to its lively story as Scotland’s oldest inhabited house, with the colourful characters who inherited, extended and developed the place down the centuries.

The Stuart family, kinsmen to the Scottish monarchy have been resident at Traquair since 1461. The family rose to national prominence as their wealth and influence grew, as visits by twenty seven monarchs bear witness. The Catholic Mary Queen of Scots amongst them and her bedroom furnishings here are particularly striking. You see the oak cot her hosts had made to accommodate that tragic monarch’s infant son James, who would become king of both Scotland and England in 1603.

The family paid a protracted heavy price both as Catholic recusants after the reformation and for their later loyalty to the exiled Stuart cause after the revolution of 1688. How the family managed to hang on to remaining land and property given their fiscally challenged state and Jacobite sympathies was a wonder in itself. The most famous legend attached to the house is that of the elegant ‘Bear’ gates at the top of the long straight grassed over drive. Closed in 1745 after the departure of Bonnie Prince Charlie and his army, they are never to be reopened until a Stuart monarch is restored to the throne.

In the wake of one failed Jacobite rising Traquair was attacked and part looted by a mob of angry local protestants. The Priest’s room here on an upper floor has a secret passageway enabling the incumbent to flee to safety in the neighbouring woods. Liked the detail of the incumbent’s vestments, unique in being plain white and quickly convertible to bed covers when such an emergency disappearance arose.

The museum is worth the climb with guide rope up a steep winding stone staircase to the highest level of the original medieval former hunting lodge. The plaster walls with faded C16th frescoes of hunting scenes is the backdrop to well displayed family memorabilia and object d’art.

Curiosities range from Jacobite drinking glasses and miniature sets of C18th travel essentials to an intriguing set of ‘Napier’s Bones’ for calculating logarithms.

The organic nature of Traquair house adds greatly to the charm as you walk seamlessly from one century’s habitation to another, over different floors, through rooms adapted to time and place, marking the family fortunes. These rose and fell and would rise again through enterprising ways as the place opened up to the world in the modern era.

The title passes through both the female and male lines. In 1875  Lady Louisa Stuart died childless, aged 100, and the estate passed to the nearest relative who happened to be a Maxwell. The current, 21^st Laird, Lady Catherine and her husband Mark, run the house and its 100 acres of grounds today through a charitable trust. Their programme of events has one unusual festival –  Beyond Borders  –  coinciding with the final week of the mega festival up the road in Edinburgh. The marquees for which were being delivered as we arrived.

In the 1950’s Lady Catherine’s father Peter re-discovered the abandoned C18th brewery and gradually renewed the craft on a commercial basis, a forerunner of today’s micro-breweries, that’s now  a thriving business exporting nationally and internationally. Naturally we stopped in the shop to buy a sample or two.

 A pleasant café in the former gardeners cottage, part of the extensive walled garden, now largely grassed over, complete with a pond and mature orchard. Particularly loved the sculpture of a life size heavy horse made up entirely of agricultural machinery and ploughs, painted black. Entitled ‘Epona’, it was made in 1999 by Rachael Long. We didn’t visit on this occasion but there’s also a beech tree maze created in modern times, with paths leading through the woods to the children’s playground and river beyond.

In honour of the printers – past, present and to come…the multipliers of recorded thought, carrying down knowledge…the preservers of art, the promoters of culture. (Printers Association of Chicago, 1914)

Traquair House apart, Innerleithen in the Scottish Borders has an historic time capsule within its purlieu at R. Smail & Sons printing works on its high street, in the same premises it began business in 1866. Three generations of the family ran the firm up until 1986 when Cowan, the grandson of founder Robert, retired. By a stroke of great good fortune the whole premises, complete with all the original printing presses, equipment and archive came into the possession of the National Trust for Scotland (NTS) who moved to restore and reopen the business as a working museum. Staff and volunteers still print commercially for customers near and far using that original machinery, as well as operating daily tours and running courses out of season. This was our second visit, we enjoyed it so much when visiting for the first time years back with the grandchildren who live locally.

Our 90 minute guided tour, was led in turn by two experienced printers, Being engaged as apprentices, here to learn the trade, was a neat way of engaging our interest and involvement.

For most of its working life the premises were powered by a race off the burn that threads through this attractive Tweed valley settlement, formerly known as St Ronan’s Well. A mid Victorian boom town, water powered a host of mills in Innerleithen, and there was a lot of work out there for an enterprising printer. Between 1893 and 1916, when labour shortages due to wartime conscription ended circulation, Smail’s also produced the local newspaper. What a demanding job that must have been as a huge amount of rapid typesetting by hand was required to produce the weekly four page ‘St Ronan’s Standard and Effective Advertiser’ for up to 800 subscribers, while staff also doubled as reporters and salesmen.

Emigration to Canada, Australia, Africa and the U.S. was a common occurrence  in Scotland back in the day and Smail’s ran a booking agency for shipping lines up until WWI. The company office where we started the tour, illuminated by the acid etched shop front windows, has paperwork aplenty stacked in every nook and cranny. Keen fishermen, the Smail’s also stocked a range of flies for sale!

As we were to discover the family never threw anything away and their 52 hefty volumes of ‘Guard Books’ holds samples of every job produced between 1876 – 1956…advertising leaflets, posters, dance tickets, police reports, letterheads, concert notices, order forms, invoices, hymn sheets, menus, postcards and so on and so on. (After 1956 they kept job samples in files)

We were shown the original undershot water wheel in its casing as we entered the paper store. Quirky highlight here was the home engineered machine for dusting silver and gold leaf excess from finished print, utilising locally sourced fur and feathers from game.

Ascending the stairs we were inducted into the business that went on in the case room situated under sloping overhead windows, maximising the light. Here Robin, our guide, instructed us apprentices how to pick letters from the big wooden galley case. ‘Upper Case’ capital letters from the top, the rest from the ‘Lower Case’. We then compiled them, back to front, right way up, into our metal setting sticks, ready to hand over for individual framing and printing by our compositor in the great C19th Columbia eagle press.

Everyone – especially the children in our tour party – loved being handed back the souvenir bookmarks printed with our names. Task completed, we’d ‘made a good impression’. Other expressions born of the letterpress tradition started by Guttenberg in the 1450’s were explained here. Particularly liked to ‘Quoin a phrase’ which refers to the quoins, plain metal pieces of various thickness, that separate, frame and secure a phrase within the hand held stick. We saw the soft leather rounded stick or ‘dab’ used with practised skill to ink the set type thinly and evenly. Hence the reference to someone doing a job well as ‘a dab hand’.

The tour ended back down in the ground floor machine room. We were handed over to printer Colin who gave live demonstrations of the 19^th & 20^th century working printing presses still in their original positions. The oldest, biggest machine for the largest paper size runs was a cast iron Wharfedale Reliance roller press made by Fieldhouse, Elliott and Co in Otley. Watching and hearing it in motion printing a run of A3 posters, driven by belts that would originally been powered by water, was quite something.

Seeing the smaller but no less impressive pedal powered ‘clam-shell’ machine in action  proved fascinating too. Depending on the operative’s skill and concentration around 1,000 copies of small jobs – like bills, tickets or leaflets – could be printed every hour. Great hand eye co-ordination not to mention stamina required! Small wonder that a similar machine designed without guards, called The Cropper, caused many life altering accidents. Hence the expression ‘to come a cropper’.

Gift shops at heritage sites often fail to excite great interest but in this case our browsing produced a flush of sales, from a fabulous guide book with sample print pullout and wrap, to letterpress postcards, greetings cards, facsimile calendars and posters.

Smail’s has restricted opening days and tour numbers are limited so pre-booking essential. More at nts.org.uk

North to Newburgh on the Aberdeenshire coast for a sight of seals at their ‘haul out’. Grey seals mainly, alongside smaller groups of harbour, or common, seals. They’ve been gathering here at the mouth of the River Ythan in increasing numbers over recent decades. With some 3,000 animals resident at peak times in the winter, it’s believed to be the largest concentration in Scotland.

Impressed at how much work had been done to provide sustainable access to what has since become a tourist attraction. Workmen were extending wooden walkways and some of the lower dunes we passed had been planted up with bunches of marram grass to help stabilise and secure them.

On the opposite side of the windswept estuary is Forvie, a 2,400 acre national nature reserve, consisting of dunes and coastal heath. The southern section is closed to human visitors in the spring and summer to help protect the seals sanctuary. A secure spot too for eider duck to settle, as we spied them now, sitting in a line facing seawards, their dark foliage contrasting with flusters of foraging gulls behind. We delighted to stand watching the seals dive and return, heads bobbing in the wavelets, sometimes turning on their backs to scratch. This safe haven of an estuary allows for the seasonal moulting of adults and  their pups to thrive, putting on the weight they will need to survive winter. Some of the seals appeared to follow our progress as we strolled the strand, as curious about us humans and canine companions as we were about them.

A curious landmark on the other shore. The squat concrete bulk of a wartime pill box tipped over, submerging into the beach. Traces of  what I assumed was its twin on our side of the water left as a scatter of pitted grey blocks, worn smooth by the waves. Much further south a line of wind turbines traced a line between sea and sky. Further out into the North Sea was a drilling rig  while above  helicopters plying back and forth from Dyce airport, reminded us of Aberdeen’s importance as a centre of the oil and gas industry and the wealth generated by it.

It was wealth of a different kind that enabled the great garden at nearby  Pitmedden, our next port of call, to be built three centuries ago. The vision of Sir Alexander Seton, a wealthy Edinburgh advocate, later a judge and MP, and his wife Dame Margaret Lauder in the 1670’s, and built to the designs of eminent Scottish architect Sir William Bruce.

As a Royalist in exile at the Stuart court at Versailles Bruce would have been greatly influenced by Andre Lenôtre’s famous designs for the gardens there. Pitmedden today consists of four great parterres (meaning ‘on the ground’) with another garden on the higher level where Pitmedden house stands. The two levels are linked by grand granite steps with parapets linking elegant stone gazebos at the corners. These square turrets allowed family and guests to congregate for conversation and musical entertainment while looking  over the formal gardens spread out below.

These architectural features, along with ancient yews in the further corners, are all that remains of the original garden structure completed in the 1670’s, while the horticultural gem we explored today is a bold modern recreation. When the National Trust for Scotland was gifted the estate in 1952 by its last owner, Major James Keith, it set about the huge task of recreating a formal 17^th Century garden from scratch. The original plans for Pitmedden were lost in a house fire so drawings of the old Palace of Holyrood gardens in Edinburgh became the inspiration for the ambitious long term project.

Parterres and knot gardens developed over time to include different types of planting – like including annuals, different types of gravel or using herbs – and the different designs in the modern garden reflect that, alongside incorporating fountains and statuary.

Another contemporary feature is the continuation of installing sculptural forms. Stone pieces from the sculptor James Maine appear at key points around the gardens.

To maintain year long interest and take advantage of the sheltered setting, wide herbaceous borders were incorporated into the new design and most of these robust plants, artfully planted and well maintained, were in glorious full flower on our visit, swarming with bees, hoverflies and other insects.

Impressed by the upper south facing terrace where the stone wall was hardly visible, so thick and dense were the foliage and fruit of the espalier apple trees that have been growing  and spreading their boughs there for well over a century. In Major Keith’s day the garden as a whole was producing fruits and vegetables on a commercial scale for the local area’s markets.

The two parterres on the upper level – created in a much more free flowing form – date from the 1990’s and have since been modified in their planting regime with climate change in mind. In 2014 a one acre paddock adjacent to the walled garden was planted as an orchard and soft fruit garden with scores of traditional varieties. I liked the way some apples here are grown as fences, and that bee keepers and their hives are integral to the development.

There is also a museum of farming life in the barns, yards and outbuildings. This extensive collection of implements and machinery give one an idea of how labour intensive and demanding a business agriculture hereabouts was back  in the day. I particularly liked the recreated farm labourer’s family home in the cottage and the densely planted herb garden, full of fragrant aromas, situated beyond it.

Drum and Crathes castles are neighbouring estates on the north bank of the Dee between Banchory and Aberdeen. Both remarkable for the long unbroken history of occupation by their respective families. The Burnetts at Crathes, the Irvines at Drum. Both owe their early fortunes to Robert the Bruce, as each family had their fiefdoms in a vast hunting forest granted by that monarch. Their respective fortunes rose and fell in the turbulent centuries that followed, producing characters aplenty, amongst them rebels, gamblers and adventurers, fighters for crown and country, cultural benefactors and patrons. In one way or another playing their parts in regional and national events. In the late 20^th Century both families called time on their ancestral piles and, along with hundreds of acres of estate acres, handed them over to the care  and management of the National Trust for Scotland.

At 70’ high with walls up to 12’ thick Drum Castle’s central tower  is one of the oldest in Scotland, an awesome construction dating from the 13^th Century, which dominates the fine Jacobean mansion house and Victorian extension. The former common hall of the tower now a library with over 3,000 books, with many rare early editions, reflecting the family’s literary and cultural interests. The rooms throughout speak of a comfortable, comforting existence in more recent times, with elegant furniture and many beautifully crafted fittings.

Drum’s large walled garden is divorced from the castle at the edge of venerable woodland and rich pasture. A public appeal raised funds in the early 1990’s to turn it from its original function of kitchen garden into four garden rooms, divided by evergreen hedges, reflecting four centuries of rose growing and display.

One part of the garden surprises and delights with a human sundial where by standing on the edge of the current month marked the sun’s shadow will fall on the hour in the surrounding circle. Had the place to ourselves at afternoon’s end and its simple uncomplicated tranquillity conferred a sense of wellbeing.

I was surprised and willingly seduced by the presentation of Crathes, the showiest of the two castles. Garden and adjacent building combine to enchant visitors with contrasting colour, structure and texture. A series of way marked trails explores the woodlands and wider estate beyond.

The prize  topiary put me in mind of Levens Hall in Westmoreland and dates just a little later, around 1702. Despite the use of modern machinery – which we were lucky enough to see in action – the whole trimming process can take up to nine weeks to complete. There are eight individual gardens on two levels (including Victorian greenhouses) within its 3.75 acres of walled garden, divided by borders and hedges and graced by specimen trees.

A doocot (dovecot)  with steps and decorative stonework is an eye catching feature of one corner. The rose garden its most contemporary feature, where we lingered on benches to soak in the atmosphere by a bubbling fountain carved out of local hard black stone.

Crathes castle is a classic tower house that dates from the 16^th/17^th century. I loved the original stout wood door and iron gate behind it so typical of this sort of construction in uncertain and violent times. There were domestic comforts too by contrast. Only the Laird, his lady and VIP guests could expect a room of their own and a bed to lie on, so looking up from below at brightly decorated figures and lettered rafters on the ceiling was intended to entertain and distract by the light of candles and lamps.

Nearly all Crathes furnishings and contents were left to the trust by the 15^th laird along with the house and estate in 1952, which adds authentic resonance to its domestic setting. Only the first floor is accessed by the addition of a wooden staircase in Victorian days, which means one must ascend the rest by the set of original granite steps spiralling upwards, linking one small room after another, floor after floor, until the wooden framed long gallery at the top is reached, which yields an overview of the gardens and wider estate.

Another set of spiral stairs then leads one down through more levels, bedrooms and private chambers. Dizzyingly wonderful stuff, especially when combined with ceiling art gazing.

Enjoyed good conversations with the warm and welcoming staff at both these properties. Find out more about Drum and Crathes and the stories of the individuals who lived there at www.nts.org.uk

From the Dee to Dunnottar Castle. Billed as one of Scotland’s major tourist attractions, we joined hundreds of other visitors – most of them from European countries – to take in the stunning view of the great ruined fortress sitting some 160’ above the north sea on a spur of land made up of boulders cemented in igneous rock millions of years old. Once an early Christian chapel it had previously been a fortress – Dun being  Pictish for ‘place of strength’.

Dunnottar’s deliberate pinch point of an entrance, half way up the great rock, is  little wider than a domestic doorway with narrow cobbled passage way and yet more stairs, opening out  at last onto a grassed plateau with an impressive  range of grey sandstone buildings, most of them now open to the elements; chapel, stables, smithy, great hall, bedrooms, barracks, great keep etc, many set over cellars, and vaults. Rocks and swirling waves are glimpsed below  the sheer cliffs . How did the builders of this bastion ever manage to get so much material and supplies from mainland behind to headland in front?

For centuries Dunnottar was the principal stronghold of Scotland’s Earl Marischal, one of the great officers of state, inherited through many generations by the aristocratic Keith dynasty. In that time it hosted Mary Queen of Scots and Charles II and saw attacks and sieges in both the War of Independence and Civil War. The 10^th Earl’s active support of the 1715 Jacobite rebellion lost the family their lands and titles and Dunnottar was subsequently stripped of all fittings and re-usable building material.

Purchase of the castle by Lord and Lady Cowdray two centuries later saw it stabilised, repaired and re-opened to the public. Their descendants still own and manage the site. Even with lots of us visitors milling about and some testing climbs the castle ticks the necessary boxes of romantic ruin, superb viewpoint, historical atmosphere, preserved range of habitations, royal associations, fighting and conflict, immersion in the elements. …What more can one ask for?

We walked the high cliff path the 1.5 miles to Stonehaven. The town’s interlinking harbours spread out before us before the steep path descent to test your leg muscles. Our destination, appetites sharpened and senses primed, was the area’s most recommended and multi-awarded eateries, there on the beach promenade – The Bay. We sat outside to eat our haddock and chips after queuing for more than half an hour. It was well worth the wait. As the line shuffled forward we learnt the fish was fresh caught with the local boat named alongside the variety and farm in Norfolk the potatoes came from. One veggie offer the display board listed was chick pea fritters and n’are a deep fried Mars Bar anywhere!

On the return leg we stopped in admiration of a series of art works aside the beach boardwalk fashioned by an anonymous ex-seafarer dubbed ‘Stonehaven’s Banksy’. His humorous skilfully fashioned boat sculptures made of scrap metal first appeared anonymously about the place in 2006. In 2019 he told the local paper that “I’m nae an artist, I’m just a guy that bashes metal together” and that “The sea to me means freedom”. We’ll drink to that!

Arriving in Aberdeenshire the main road follows the stately River Dee downstream. We passed the huge car park that accommodates hordes of  visitors for Balmoral, with police signs on the road prior saying ‘No stopping’. Our destination was one less called on, the village of Tarland, a few miles north of the main highway. The villagers have been enterprising in promoting sustainable green tourism by establishing a network of paths and trails through their district, although sadly we didn’t have enough time on this visit to explore them further.

Our priority this initial visit, to explore the tree lined churchyard where the old abandoned Kirk stands, fronting the village square. Tarland was the rural settlement from where one of Kim’s forebears departed as a soldier in the Royal Engineers for Canada in the 1860’s, ending his career as the chief of police in Montreal.

After a time scanning granite gravestones for family surnames we refreshed ourselves with tea and cakes in the café  on the square. Then popped into the institute opposite to join the throng viewing an abundance of produce and prizes, courtesy of the local horticultural society at their annual show.

Leaving Tarland we stopped off on a gentle hill a couple miles distant to visit Tomnavirie Stone Circle on its fine view point of a summit. This atmospheric site dates from some 4,500 years ago. The key feature being that its biggest stone lies recumbent, flanked by tall uprights, framing a view of Lochnagar in the distant Cairngorms range. This circle’s inner kerb of stones once held a low cairn with a hollow centre. Amazingly, there are  as many as 69 known structures like this, unique to north-east Scotland. The significance of all these features remain objects of speculation but were obviously of great existential meaning to the Bronze age farmers who constructed them.

The symbols of existence and survival in ancient times and in the 20^th Century are juxtaposed here with a nice touch of irony, as an abandoned cold war bunker lies just a stone’s throw south west of the stone circle. Its stairway entrance is still visible and below ground local members of the Royal Observer Corps would have hunkered down in the fully equipped bunker in the event of nuclear warfare, only venturing out to take samples of fall out to send to CHQ. How that would have actually worked in practice is rather dubious to say the least.

‘Who can impress the forest, bid the tree/ Unfix his earth bound root?’ (MacBeth)

Apart from being based in Pitlochry  Festival Theatre in the late 1970’s, rehearsing an extensive autumn long tour of schools in the highlands and Islands, I ‘ve never been to Perthshire. As it happens neither had Kim, so a few days staying with friends Robin and Linda in Aberfeldy, at the start of this August’s Scottish holiday was a treat.

Aberfeldy we discovered is a bustling small town of independent shops and businesses – including a community run cinema – proud to be Scotland’s first Fairtrade town. Robert Burns in 1787 wrote a poem about the Dens of Moness, the ancient wooded gorge high above the town. Inspired by its profusion of birch trees he called it ‘The Birks of Aberfeldie’ and today a statue of the bard sits in lonely splendour on the leafy banks of the fierce little river. His original pen having been nicked a twig suffices for replacement.

A lovely 1.5 mile circular steep sided walk immersed us in the narrow valley’s sylvan charm. Our friends went off the path at one point to gather chantarelles for a risotto supper but we demurred for fear of attracting tics. Sure enough, later Robin would be showing us how to remove and properly dispose of the three tiny bloodsuckers which had attached to his calf muscle in the course of foraging.

Next day was the first day of the annual Aberfeldy show. Dodging the traffic, we crossed the River Tay by General Wade’s elegant  hump backed road bridge. It was designed by William Adam and opened in 1733, laying the foundation  stone of the town’s subsequent growth as a rural centre. The show was delightful and I was unexpectedly charmed by the equestrian  competitions’ assortment of riders and mounts; the little people dressed to the nines on their ponies, with adults leading, put one in mind of Thelwell’s classic cartoons.

Friday night we drove to Birnam, at the heart of Perthshire ‘Big Tree’ country. Followed the Tay downriver through the remnants of the great deciduous forest that once clothed these hills, where now conifers predominate. Stopped to admire the 500 year old oak, a symbol of the wood that is famously associated  with Shakespeare’s Macbeth. A troupe of travelling London actors was licensed to play in nearby Perth in 1589….Was the bard amongst their number?  The lower trunk, which is hollow, was submerged by floods caused by Storm Desmond in 2015 and that weakened it. To avoid danger of splitting under its own weight supports have been added to lower boughs.

On to cross the broad river  on a grand former toll bridge into historic Dunkeld, the elegant ancient borough framed by tree covered slopes. We discovered the pretty square and street leading to the  gated ruins of the cathedral, both of which were saved from dereliction in the mid C20th. We were surprised to come across this link with Canadian history on the wall of one of the old terraced houses.

The bar of the Tayside Inn, a former grand temperance hotel, was already buzzing when we got there with an appreciative crowd come to hear a posse of young (and not so young) traditional musicians weaving their rough magic, infused and varied with jazz and rock influences. More instrumentalists turned up and we squeezed ourselves into the standing room only corner and cheered and clapped as they wooed us all with their ace instrumental skills.

We took a trip up to  the resort village of Kenmore on Loch Tay. Linda introduced us to her friend, the red haired lass – a skiff moored  under canvas by the water. Linda and her club mates had  painstakingly constructed  it themselves from a template. Every modern racing boat has to be built to the same design, to ensure fair competition. The Loch Tay team is the only  Scottish inland crew, the rest being coastal based. I’ve loved watching gig racing in the bays and estuaries of Cornwall and Pembrokeshire so would delight to see this form of rowing  action on the open water too. Gig boats, we were told, are slimmer in the beam and have six oars at work while skiffs have four.

I recently learnt a wry lesson about the perils of attempting to quarter cattle in a field. Some weeks ago, over coffee in our kitchen, I suggested to our friend and neighbour up at Southridge farm that he put some  cattle on the crags – our four acres of rough grazing. The stone walls have supplementary fencing topped with barb and the spring at the bottom could provide enough water for cattle.

The family usually park their handful of Texel tups there after they’ve done servicing the ewes and they’re usually taken off for shearing and pastured elsewhere before returning in spring. It’s a good arrangement whereby our grass is grazed rested and kept serviceable and they get free pasturage. I thought a few cattle there, grazing it differently, might improve the quality of pasture. Subsequently walked the boundaries, wading through grass and rushes waist high in places. Ringlet butterflies flutter around me, dancing over dense patches of tormentil and bedstraw. Slipped a few loose capping stones back into place on the walls. All fences and walls reasonably secure.

Some six years ago our neighbours invested in suckler beef cattle to partner their sheep operation. A new shed was built for winter housing and another borehole sunk to supplement stock water supply. They opted for Stabilisers. An odd name for a scientifically bred and patented animal conceived to fit modern market requirements. Originating from a specialist research centre in Nebraska in the 1970’s, a conglomeration of Yorkshire farmers brought the breed to the UK in 1997 and have done well out of it since as you see increasing numbers of them on British hill farms.

Stabilisers usually present in a range of colours from black through shades of brown to deep red reflecting the fact that they are a four way cross between traditional Hereford, Angus, Simmental and Gellbrich breeds, harnessing the best traits of each. Small and hardy, easy calvers, gentler temperaments  and easy to handle with good growth rates. The lower cost, lower labour equation makes them attractive to farmers while the quality, marbled and tender meat has a guaranteed bulk buyer in Morrison supermarkets. On a more mundane level I found them attentive listeners when I talk to them, perched on the wooden style opposite, or watch them from a distance lick and nudge each other.

Our farmer turns up one weekend before last to say he’d just put a lame cow with her calf on the crags, so I was thrilled. Later I went out with the camera to record them in situ, only to find mother in our neighbour’s big pasture next door and her calf mooing inconsolably wandering the long grasses. Rang Southridge  and our neighbour arrived on his quad to steer the reluctant mother back to our patch. Meanwhile – and this is the real mystery – the calf had somehow slipped between fence and dry stone wall into the other neighbours hillside field to join their separate herd of older stabiliser steers on the hillside belly high in swathes of meadowsweet, grasses and reeds!

Mother meanwhile evaded all efforts to get her back onto our side of the fence. She must have jumped over it to get to the big field. A metre high barrier is clearly not enough to deter a determined cow. Our good neighbours – father and son – eventually managed to retrieve both beasts from the different fields and drove them back up to the farm. We humans laughed it off in passing. Watching their retreating figures up the lane caused me to reflect with a rueful smile that I should have listened more and talked less to those curious bovines in the field. After all they know what herd instinct is and follow it to the letter. Fences can be jumped, walls walked around, company found and humans confounded.

Finally….We wake every day this week with the divine scent of new mown hay wafting over the wall from the meadow named after our house.  It’s the farm’s largest and flattest pasture and the one that provides the best haul of hay, year on year.  One day it’s cut, a few days later woofled, (turned to help dry). After a few more days, with the gorgeous weather holding, the cut grasses are turned again then rowed up for collection by the baler which deposits those big rolls you see randomly about the place like so many giant draughts pieces.

Crows and gulls move in to quarter the newly exposed ground for worms and insects. Age, heat and dust take their toll on the old tractor so progress is slowed when it demands attention. There’s a new hay barn up at Southridge and over the next few days the tractor will stack and pull trailer loads up there to store in preparation for the long winter ahead.

UPDATE: On returning from holiday in Scotland at the end of August I was surprised and delighted to find a small herd of cows and calves grazing in our field. Our good hearted resourceful neighbour had put them there, knowing that company would help confine them. As an added precaution against escape he also used baler twine to extra secure our garden field gate. Later tells us that because the bottom spring doesn’t provide enough water he’s put a bowser (water tank) in at the gateway to his neigbouring field. We hope now that once they’ve munched through the grass the cattle will move on to graze the tougher stuff that sheep avoid like sedges, young thistles and soft rush.

I love landscapes of dramatic contrasts, territory where man has made his mark for better or worse over thousands of years. Growing up on the edge of Dartmoor instilled that taste and fed a curiosity to discover more. My predecessors had worked its quarries for stone and extracted its mineral wealth through mining so I love any opportunity to get reacquainted with such a diverse multi-layered history. The 365 square miles that make up the Dartmoor National Park is the largest area of natural open land in the south of England, with a fascinating story of evolution and settlement. It was certainly a compelling reason to choose Dartmoor as a ‘Mastermind’ semi-final subject  back in 1991 and I loved doing the research.

So, here we were, on the last leg of this holiday, coming away from the South Hams through Ivybridge, following the twisting B road that hugs the southeast contours of Dartmoor, heading for Tavistock on its western side. At Shaugh Prior the high banked hedges give way to wide highways and verges floured with dust from endless lorry loads of clay product. Looming above steep slopes of oak woodlands are waste tips of sand and stent (waste rock) produced over many years by the Lee Moor China Clay works. Extraction is by ‘wet mining’ in vast pits using high pressure hoses to create a slurry which is filtered to extract the fine soft white clay prized for its low plasticity. Huge amounts of waste are created in the process, hence the ‘mountains of the moon’ landscape that characterises this corner of Dartmoor.

We parked inland, north of the works, by Brisworthy plantation. I was expecting to find a block of conifer. Many such plantations were established on ‘unproductive’ moorlands nationwide by the Forestry commission in the wake of WW1 to help meet the nation’s shortage of timber. Brisworthy though, it turns out, is a mature plantation of deciduous wood, walled and fenced, consisting mainly of beech, planted in the C19^th. I think it must have been Lord Morley, the major local landowner, who was responsible, following the fashion for beech tree planting by his contemporaries, most notably on Exmoor.

It was also Lord Morley who granted Cornish entrepreneurs China Clay extraction rights back in the 1830’s. Dartmoor is a massive eroded plateau of granite and over millions of years its gradual decomposition results in the formation of kaolin. It’s essential for making bone china, hence the alternative name, and is also used to manufacture products from paint and paper to cosmetics and toothpaste.

We were curious to see what antiquities could be discovered on this short circular walk. The area of the Upper Plym valley – some 6 square miles – boasts over 300 Bronze Age, medieval and later sites. Our first stop was one of these special places, Brisworthy stone circle. I think it may be a surprise to many, me included, that so many of Dartmoor’s 90 recorded stone circles have been extensively restored. Brisworthy is no exception. Back in 1909 pioneering archeologists put 17 of the original fallen granite blocks back in their holes, to join those still standing. There’s a gap where a couple are missing and these are now thought to form part of the neighbouring field wall.

That stout hedge bank has been the subject of extra protection from grazing by pole and barb fencing, allowing plant life to regain a footing. In amongst the whortleberries, foxgloves and gorse there’s a metal sign to remind us that the Ministry of Defence use Ringmoor Down for ‘dry training’ (exercises using blank ammunition) The army has been using great swathes of the remote high moor for military training since mid Victorian times.

Crossing Legis Lake (stream) by the ford was a minor challenge, the ground being very uneven. Obvious signs of disruption where streaming for tin ore (cassiterite) had occurred during the middle ages when the moor was northern Europe’s principal source of tin. The earliest written record of tin mining on Dartmoor in 1158 references activity here at Brisworthy and nearby Sheep’s Tor.

Legis Tor is surrounded by clitter (granite scree) so requires surefootedness. Good view from the summit, or rather, summits.  Waste tips and Plymouth one way, the bare sweep of moorland around the upper Plym valley with cattle grazing, the other way. The granite here on Legis Tor has a pinkish tinge that sunrise and sunset would pick up to add extra glow to its profile. Who knows, maybe that gave the landmark extra cache back in the Neolithic and Bronze ages to attract humans to settle on its slopes.

So dense the amount of granite blocks and clitter that I searched in vain to find the perfectly preserved vermin trap the eminence is noted for. This area was developed from the 15^th century on an increasingly large scale as a site for farming rabbits. These warrens needed protecting from natural predators like stoats and weasels, hence the traps at boundaries. Basically, granite boxes with channels leading to a slate door that could be sprung to trap intruders. Medieval farms were converted to house rabbits and hares. Thin topsoil over solid granite stopped them burying out while earth and granite ‘pillow mounds’ kept them penned in. Clearly, the factory farming of its day! Of Dartmoor’s historic warrens six of them are to be found here in the Upper Plym valley. Maybe the proximity to markets in Plymouth was the deciding factor in establishing them hereabouts.

The flora of Dartmoor is typical of damp acid soils, with plants like the ground hugging yellow flowers of tormentil, able to survive in amongst tough grasses hard grazed by ponies, sheep and cattle. Heath milkwort, with its pretty blue and white flowers, caught my eye. It was prescribed by medieval herbalists to nursing mothers in the belief that it made ‘milk more abundant’. The idea came via its Greek name for ‘much milk’ from the effect it had on cows grazing it.

Returning on a parallel route we traced the intersection of two reaves, or ancient earth boundary banks. Another stone circle – Ringmoor – complete with stone row revealed itself in amongst the heather and bracken. Restored in the early part of the C 20^th by the famous curate and squire of Lewtrenchard manor, the Rev. Sabine Baring Gould (Composer of ‘Onward Christian Soldiers’). By all accounts it was done with more enthusiasm than understanding…Oh dear. It still has an appeal to passing walkers like us though.

Thought of the hardy folk who lived here, and the remains of their round houses and animal pounds. People who constructed those rows and circles for their rituals and how gradually they exhausted the supplies of timber, effectively causing an ecological disaster, so that they moved off the moor to the valleys below, clearing and settling again, using the denuded high land as summer grazing grounds. And so the appearance of the landform developed to be more like it is today.

Returning to Brisworthy plantation we met a wildlife photographer setting off with her extensive kit, who told us the wood is home to migrant birds like pied flycatcher and redstart that breed here. The latter has a special fondness for the mild wet conditions found in the temperate rainforests of the UK’s western coastal areas. Ponies and their foals were in evidence too, grazing the woodland boundary banks. We were lucky to have such a fine day to enjoy the views and discover the archaeology, dry under foot with no mist or fine rain to lead us astray. Enough was experienced in our few hours ramble to keep me going until the next opportunity arises to rediscover another part of the place I still call home in my heart.